<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5282246</id><updated>2011-04-21T12:39:26.719-07:00</updated><title type='text'>Nicholas Laughlin's Life List</title><subtitle type='html'>An experiment in biblio-biography</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://nicholaslaughlinlifelist.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5282246/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://nicholaslaughlinlifelist.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Nicholas Laughlin</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>8</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5282246.post-112949345969318370</id><published>2005-10-16T13:08:00.000-07:00</published><updated>2005-10-16T13:10:59.703-07:00</updated><title type='text'></title><summary type='text'>2005 updateGood lord, what have I been reading since the end of March?- about two thirds of Crispin Sartwell's Six Names of Beauty- started re-reading The Hitchhiker's Guide to the Galaxy on an airplane (aloft, I need humour), but once I landed I didn't pick it up again- Nicholas Guppy's Wai-Wai- Nick Laird's To a Fault- started the new Nick Hornby, A Long Way Down, &amp; after twenty or thirty pages</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5282246/posts/default/112949345969318370'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5282246/posts/default/112949345969318370'/><link rel='alternate' type='text/html' href='http://nicholaslaughlinlifelist.blogspot.com/2005_10_16_archive.html#112949345969318370' title=''/><author><name>Nicholas Laughlin</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-5282246.post-111253976745096597</id><published>2005-04-03T07:48:00.000-07:00</published><updated>2005-04-03T07:49:27.450-07:00</updated><title type='text'></title><summary type='text'>I do not think that at the time, aged twelve, I could have guessed something I read much later, in one of Sigmund Freud's studies unless I am much mistaken: an observation that immediately struck me as convincing, suggesting that the deepest secret of music is that it is a gesture warding off paranoia, and we make music to defend ourselves against being overwhelmed by the terrors of reality.-- </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5282246/posts/default/111253976745096597'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5282246/posts/default/111253976745096597'/><link rel='alternate' type='text/html' href='http://nicholaslaughlinlifelist.blogspot.com/2005_04_03_archive.html#111253976745096597' title=''/><author><name>Nicholas Laughlin</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-5282246.post-111230583223215086</id><published>2005-03-31T13:47:00.000-08:00</published><updated>2005-03-31T13:50:32.236-08:00</updated><title type='text'></title><summary type='text'>Nearly two years later....These days I seem to read magazines mostly. I subscribe to far too many of them. I've also become the kind of person who starts books &amp; doesn't finish them, through sheer distraction. There is a more or less stable pile of half- or quarter-read books on my bedside table. I refuse to reshelve them because any day now I'm due to take them up again. Then every few months or</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5282246/posts/default/111230583223215086'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5282246/posts/default/111230583223215086'/><link rel='alternate' type='text/html' href='http://nicholaslaughlinlifelist.blogspot.com/2005_03_27_archive.html#111230583223215086' title=''/><author><name>Nicholas Laughlin</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-5282246.post-93663587</id><published>2003-05-02T11:01:00.000-07:00</published><updated>2003-05-02T11:01:29.486-07:00</updated><title type='text'></title><summary type='text'>Yesterday, looking for information on Philip Pilgrim's oratorio The Legend of Kaieteur (based on A.J. Seymour's poem), I plucked Andrew Salkey's Georgetown Journal from my office library, &amp; started reading it last night. This is a longish account of Salkey's trip to Guyana in 1970 for the Caribbean Writers and Artists Conference--a sort of predecessor to Carifesta, I imagine. Lots of anecdotes </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5282246/posts/default/93663587'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5282246/posts/default/93663587'/><link rel='alternate' type='text/html' href='http://nicholaslaughlinlifelist.blogspot.com/2003_04_27_archive.html#93663587' title=''/><author><name>Nicholas Laughlin</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-5282246.post-93190105</id><published>2003-04-24T11:03:00.000-07:00</published><updated>2003-04-24T11:03:52.146-07:00</updated><title type='text'></title><summary type='text'>Yesterday the new Charles Simic arrived--The Voice at 3:00 A.M.: Selected Late and New Poems. Weird, improbable, profane little jokes about the world &amp; history &amp; the soul; funny, angry, unaffectedly sorrowful (though less devastatingly beautiful than Adam Zagajewski, who Simic at his best seems to recall). Reading in bed last night, I felt a little start of recognition when I came to this poem:</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5282246/posts/default/93190105'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5282246/posts/default/93190105'/><link rel='alternate' type='text/html' href='http://nicholaslaughlinlifelist.blogspot.com/2003_04_20_archive.html#93190105' title=''/><author><name>Nicholas Laughlin</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-5282246.post-93052873</id><published>2003-04-22T09:04:00.000-07:00</published><updated>2003-04-22T09:04:09.113-07:00</updated><title type='text'></title><summary type='text'>At the moment I'm reading Caryl Phillips's new novel, A Distant Shore. Unrelentingly bleak so far--loneliness, boredom, fear, illness, death. The weather is always grey &amp; damp, streets always dirty, passers-by always bitter or rude. Two unhappy people--a retired schoolteacher &amp; an immigrant from an unnamed African country--both trying to escape their pasts, take refuge in a quiet English village.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5282246/posts/default/93052873'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5282246/posts/default/93052873'/><link rel='alternate' type='text/html' href='http://nicholaslaughlinlifelist.blogspot.com/2003_04_20_archive.html#93052873' title=''/><author><name>Nicholas Laughlin</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-5282246.post-92953449</id><published>2003-04-20T17:33:00.000-07:00</published><updated>2003-04-20T17:33:06.246-07:00</updated><title type='text'></title><summary type='text'>2003 thus far: a reconstruction from memory- The Street of Crocodiles, by Bruno Schulz- The Married Man, by Edmund White- A Box of Matches, by Nicholson Baker- Atonement, by Ian McEwan- most of Poetry and the Age, by Randall Jarrell- most of Finders Keepers, by Seamus Heaney- re-read most of The Waves, &amp; also most of vols. 2, 3, &amp; 4 of Virginia Woolf's Diary, as well as much of vols. 1 &amp; </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5282246/posts/default/92953449'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5282246/posts/default/92953449'/><link rel='alternate' type='text/html' href='http://nicholaslaughlinlifelist.blogspot.com/2003_04_20_archive.html#92953449' title=''/><author><name>Nicholas Laughlin</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-5282246.post-92953227</id><published>2003-04-20T17:27:00.000-07:00</published><updated>2003-04-20T17:27:21.390-07:00</updated><title type='text'></title><summary type='text'>2002: a (no doubt incomplete) reconstruction from memory- The Sea, the Sea, by Iris Murdoch- The Bell, by Iris Murdoch- The Path of Minor Planets, by Andrew Sean Greer- The Breaking of Style, by Helen Vendler- The Quest for Corvo, by A.J.A. Symons- The Gastronomical Me, by M.F.K. Fisher- The Book on the Bookshelf, by Henry Petrowski (I must admit I bought this solely because I liked the </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5282246/posts/default/92953227'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5282246/posts/default/92953227'/><link rel='alternate' type='text/html' href='http://nicholaslaughlinlifelist.blogspot.com/2003_04_20_archive.html#92953227' title=''/><author><name>Nicholas Laughlin</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry></feed>
